Miro - Catalogue raisonné Sculptures 1928-1982.pdf

Miro - Catalogue raisonné Sculptures 1928-1982 PDF

Emilio Fernandez Miro

The catalogue raisonné of Miros sculptural work is a sequel to the four-volume catalogue of his prints and the six volumes of his paintings. It has been produced by Emilio Fernandez Miro and Pilar Ortega Chapel. It consists of a single volume in English, containing 440 reproductions -most of them in colour- of all Miros sculptures, from the first constructions in wood in 1928 to the final bronzes in 1982. The majority of these pieces are in bronze, sometimes painted, while others are in iron, cement, synthetic resin or consist of found objects. Comprehensive details are given for each sculpture : title, year of production, medium, materials, foundry, dimensions, number of casts, owner, provenance, the principal exhibitions it has appeared in and the main publications in which it bas been reproduced.

Salvador Dali estampes originales, lithographies et ...

1.99 MB Taille du fichier
9782868820747 ISBN
Miro - Catalogue raisonné Sculptures 1928-1982.pdf

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Notes actuelles

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Sofya Voigtuh

Miro (Compact): Master Artist Series: Dupin, …

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Mattio Müllers

Joan Miro : sculptures, catalogue raisonné, 1928-1982 Auteur : Galerie Lelong Reproductions des sculptures de Miro, depuis ses premières oeuvres en bois en 1928 jusqu'aux bronzes de 1982, avec pour chacune d'elle, son titre, l'année de sa réalisation, le matériau, ses dimensions, son propriétaire et les principales expositions où elle a été montrée. ©Electre 2020; 220,00

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Noels Schulzen

Miro - Achat / Vente livre Emilio Fernandez Miro;Pilar ... The catalogue raisonné of Miro's sculptural work is a sequel to the four-volume catalogue of his prints and the six volumes of his paintings. It has been produced by Emilio Fernandez Miro and Pilar Ortega Chapel. It consists of a single volume in English, containing 440 reproductions -most of them in colour- of all Miro's sculptures, from the first constructions in wood in 1928 to the final

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Jason Leghmann

11/11/2019 · The sculpture would stand out well against the landscape, it would be more cheerful, more luminous than a sculpture in bronze” (quoted in ibid., p. 47). Miró ultimately opted for synthetic resin as originally intended, but there is no mention of the completed sculpture—the present, unique work—in the correspondence about the Central Park project. In 1976, Miró contracted with Susse

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Jessica Kolhmann

Miró Paintings II : Catalogue raisonné des peintures (1931 ...